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RESUME
EDUCATION
1990-1996 Graduated from Yerevan State
Academy of Art Department of Painting,
Armenia
PERSONAL EXHIBITIONS
2008 UGAB Centre Culturel, Marseille,
France
2007 Fresco on the wall school Les
Lierres, Marseille, France
2005 Centre Culturel Sahak- Mesrop,
Marseille, France
2005 Gallery l'AUTRE COTE , Marseille,
France
1983 Journalists' Union Exhibition Hall,
Yerevan, Armenia
GROUP EXHIBITIONS
2008 Gallery H.Kazan Fine Arts, Los
Angeles, USA
2008 International Art Expo, Las Vegas,
USA
2008 Gallery Anna-Tschopp, Marseille,
France
2008 Armenian Artists Union's Exhibition
Hall, Yerevan, Armenia
2007 Gallery Ucellino, Marseille, France
2007 Maison de Ventes de Damien Leclere,
Marseille, France
2007 Maire du 12e arrondissement,
Marseille, France
2007 Museum Minas Avetissian, Jajur,
Armenia
2006 Gabone Art Gallery,Yerevan, Armenia
2006 Art Gallery, Yerevan, Armenia
2005 Academia Gallery, Yerevan, Armenia
2004 Brad Cooper Gallery, Tampa, FL USA
2001 Brad Cooper Gallery, Tampa, FL USA
2000 Ministiry of Culture of Armenia
,Fund for Culture, Yerevan
2000 Modern Art State Museum of Armenia,
Yerevan
2000 United Nations Organization of
Yerevan, Armenia
1999 Armenian Artists Union's Exhibition
Hall, Yerevan, Armenia
1997 Yerevan State Academy of Art,
Yerevan
1996 Morfinservise's Exhibition Hall,
Moscow, Russia
1995 Maritime Bank's Exhibition Hall,
Moscow, Russia
1995 Armenian Embassy in Moscow, Russia
1994 Tumanian State Museum, Yerevan,
Armenia
1992 Modern Art Museum of Yerevan,
Armenia
1991 Ministry of Education of Armenia,
Yerevan
ACCOMPLISHMENTS
''Fund for Culture", Ministry of Culture
of Armenia
Private collections in Armenia, Russia,
France, Germany, Holland, Sweden, USA,
etc
Member Artists Union of the Armenia and
UNESCO
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STATEMENT
I feel very close to art's free process.
It's an act in which I spontaneously
give to canvas a primeval sensuality
coming from spiritual infinity. I create
my pictures without preliminary
thoughts. However when I start acting, I
have a specific direction, which
develops subconsciously. I try to create
a spiritual reality on a surface.
It's important for me to liberate
sensuality from memory images inevitably
coming with each attempt to project
subconsciously originated conceptions. I
give freedom to a color and a shape so
they be able to develop as spiritual
elements for plastic reproduction of "
an internal necessity", becoming
inexpressible intuition, an
unexplainable content, and feelings
proceeding from essence, to be more
exact, becoming a thing that expresses a
soul's nature.
I set free my actions from direct
dependence of nature's and art's
conventionality. There's another image
not associated with a picture-sensual,
which probably comes from deeper
subconscious layers, without
spontaneously perceived associations of
external world.
It is necessary for an artist to
concentrate not only eyes but also to
focus in his/her soul and be able to put
external impressions and perceptions
through a soul's prism in order to
involve the soul as a decisive force
while creating works of art.
A picture has its own life. I try to
reveal it. Each spectator creates
his/her individual connection with a
picture's energy.
Art cannot save a human being. However,
it's possible to create a dialog by
means of art. That dialog will give a
human being an opportunity to expose
himself/herself and become as close to
high spiritual values as possible.
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